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The songs may share a very similar chord progression, but tell different stories. On the track “A Heart Like Hers,” Mac sings smoothly about heartbreak over dreamy chords that played in the album’s title track, but it’s hard to take issue with the repetition.
ANOTHER ONE MAC DEMARCO ALBUM REVIEW FULL
Which may get tiring on a full length, but with Another One, it’s not long enough to overstay its welcome. As far as the musical aspect of the record, DeMarco proves himself a master of off-kilter melodies and rhythms, while singing almost entirely about love, and lack there of. He’ll even make you a cup of coffee if you do. For example, at the end of the album, listeners will hear DeMarco telling them his address and inviting them to come visit him at home. Īnother One is correctly labeled as a mini-album, clocking in just under twenty-three minutes, while still showcasing more of DeMarco than ever before in some of the more literal senses. The title track of the album, and the fact that DeMarco is giving listeners another release just over a year since last year’s Salad Days and subsequent compilation release, Salad Days Demos.
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And so he continues to write another one and another one until we're convinced.The title of Mac DeMarco’s new mini-album, Another One, seems to be alluding to two different things. I know I'm special, he sings, but I want you to be a part of it, too. Chris Martin says the stars shine for his lover DeMarco says they call for him, only he'd rather stay with his woman. When I saw him at this year's Primavera Sound Festival, his band dropped in a few minutes of Coldplay's "Yellow"-the joke, of course, being that "Yellow" is fairly close to a song that DeMarco would've written. He’s what sex columnist Dan Savage refers to as "GGG": good, giving, and game. The wink of the album's title turns introspective on the title track, with a deeply languid DeMarco ruminating about the uncertainty of his relationship while wondering if "another one" is knocking at the door of his beloved.ĭeMarco is an unusually sensitive songwriter, capable of ferreting out what someone else might be feeling even as he’s absorbed in his own perspective.
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"Just to Put Me Down" has a future as an extended set closer, with the refrain of the song title warping ever so slowly as he sings it over and over again, his guitar bursting into peals of expression. The twinkling chord progression on "Without Me"-amongst his prettiest songs ever recorded-is buttressed by a cloud of washed out synthesizers, creating a lovesick feeling as he sings about accepting that a woman is better without him. Few will sound as comely or as inviting as DeMarco does on "No Other Heart" when he sings, "Come on and give this lover boy a try/ I'll put the sparkle right back in your eyes/ What could you lose?" The solo in "The Way You Love Her" was written with Robbie Robertson's strictured tone in mind, even as it ends up a few steps closer to the nu-reggae swing of Magic!'s "Rude". There are four slow songs and three songs that are a little less slow but still plenty relaxed, all of them filled with little details to catch your ear. It riffs on his established formula: the same rinky-dink guitar tone, funky basslines, air-tight percussion announcing a band with enough experience to avoid fucking up the vibe. It's like a novella, or a made-for-TV movie-something to chew on while we wait for the next major project. Which means: If you like DeMarco, you'll like Another One. This type of sincerity without precocity is rare in art, and the contrast between the content of DeMarco's music and the content of his character only highlights his singularity as someone whose contradictions build toward a vibrant self, rather than collapsing in disarray. Music made for the end of a rooftop barbecue, when the sun dips, the beer is nearly gone, and everyone who doesn't want to be there has already gone. Here, you can be honest, goofy, even silent all of it is accepted without a dissenting word. They're for the unguarded moments you might share with another person where the both of you are comfortable without reservation. His music isn't for situations that are laidback in and of themselves.
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He connects not simply because he's "chill," but because his relaxed self seems borne of extreme self-confidence. At first sight, DeMarco seems impossibly "chill," that meditative state achieved by studying Buddhism or popping a few Oxys, only it’s more complicated than that.